In the charming village of Auvers-sur-Oise, near Paris, a fierce dispute has emerged in the wake of a significant art discovery. The village, celebrated for its artistic heritage and as the final residence of Vincent Van Gogh, is now at the center of a struggle over the preservation of the gnarled tree roots depicted in Van Gogh's last painting, “Tree Roots.” Initially debated for years, art experts concluded in 2020 that Van Gogh created this poignant piece on the day he died, forever linking it to the location of its inspiration.

The focus of this conflict lies in the roots of a black locust tree, affectionately dubbed the “elephant” by fans, which extend from a hillside right next to a public road. Following the recent identification of the roots' historical significance, the municipality of Auvers sought to claim part of the adjacent privately owned land for public use, asserting that this was necessary for maintenance. Property owners Jean-François and Hélène Serlinger have vehemently opposed this claim, resulting in a court ruling that favored them, stating the municipality's case was unfounded.

Despite the legal setback, Mayor Isabelle Mézières remains resolute, vowing to continue the battle for public ownership. She expressed on social media that, “The Roots belong to the Auversois!”—highlighting the community's desire to secure their cultural heritage. This ongoing dispute casts a shadow over the typically bustling art tourism season in Auvers, where the population of 7,000 thrives on visitors drawn to the legacy of Van Gogh.